Saturday, 2 May 2020

Code Red (Alternative Version)



In his office, McClain took out a can of peach halves from the top drawer of his desk, then fumbled deeper inside searching for the can opener, pushing the Mauser to one side. His frustration in locating it was compounded by trying to effect symbiosis between can and opener. He wrestled with the can for a few minutes before giving up.

“Goddamnit!”

McClain pressed a button on his intercom.

“Ginnie, could you get in here, please?”

Beads of perspiration dotted his forehead which was furrowed beneath bushy black eyebrows.

To an outsider ruddy complexioned McClain was a heart-attack waiting to happen; there was little doubt that he was overweight, something his doctor had been at pains to warn him of. The stress didn’t help!

“Damn and blast the contraption …” he said, flicking the can opener away.

McClain’s desk sat on a large tartan carpet which covered most of a tiled floor and faced a closed door that led to the outer office, to the left was a small cabinet where he kept his booze.

The centre of the desk was smooth and shiny, the shadow of the peaches can, eclipsed by the light of neon signs shining through the window, flickered and danced across the surface. On the left was a shallow pile of light brown folders on top of which sat six blue pencils, neatly sharpened and of equal length, to the right was a typewriter, a new model with a blank sheet of paper in the feed, and a grey-filled ashtray serving as testament to the weight of McClain’s workload.

In front of the typewriter sat two phones adjacent to one another; a bulk-standard black one to the left and a red one to the right. The former was linked to the switchboard on the desk of his secretary, Ginnie, in the outer office. The latter was a direct line to a nondescript little office in Langley, Virginia which was manned twenty-fours a day. In front of the phones sat the small intercom.

From outside, the sounds of homeward commuters, street vendors and busy car horns filtered through the half-open window; it was past the end of the working day and the office was quiet, all McLain was anticipating was the arrival of the evening paper.

A tall woman entered the room, his secretary, Ginnie. She was rather gangly, and though not unattractive, she made little of her appearance and the plain bottle green dress that she was wearing did little to enhance her femininity.

“The can?” she said, as she surveyed his desk.

McClain murmured in response and she leaned over and effortlessly opened the can for him.

“There,” said Ginnie, stepping back.

“Shall I …?” she said, nodding at the cabinet.

“Much obliged.”

Ginnie brushed past the back of McClain’s chair leaving the faint smell of perfume behind her.

“You’ll have one?” McClain enquired.

“Not for me, thank you all the same,” she replied, pouring a good measure of whiskey from a crystal decanter into a matching tumbler – above her on the wall hung a portrait of Dwight D. Eisenhower, the Commander in Chief, wearing an enigmatic smile.

“You should get home,” she blinked.

“I will, I will. You know how it is. Long day.”

Ginnie placed the tumbler beside the can of peaches. “Shall I get you a fork?”

“Of course. I mean, yes, of course. Can’t seem to think …”

“And the evening paper?”

“Yes … thanks!”

Ginnie left the room, returning with a fork and information that the paper would be delivered shortly downstairs. She hovered for a moment, watching McClain’s glass.

“Shall I get you another?”

“Not yet.” He waved away her offer; loosening his tie, he leaned back in his chair. “Just the paper, and get yourself off.”

“Thank you, Mr. McClain. Shall I organize a cab?”

“No need, no need.” He waved her away again, though not rudely, there was an understanding between them, almost as if they were going through a daily routine.

“Right you are,” and she left the office leaving McClain alone.

“Long day indeed,” he mumbled.

He pushed back his chair and quickly made his way over to the cabinet; poured himself another slug, then returned to his seat. He made sure he drunk just enough to make it look as if he was still on his first, although his cheeks were more flushed than usual when Ginnie opened the door again and placed the evening paper in front of him on the desk.

“I’ll get off then.”

“Yes, yes, good-night.”

He still hadn’t touched the peaches – something which Ginnie noticed but failed to mention as she gave him a nod and left the room once more.

McClain opened the paper randomly giving the front page only a cursory glance.

He wasn’t looking for anything in particular but suddenly his attention was fully focused and his world began to spin.

“My God!”

He reached for the button on the intercom.

“Ginnie, get in here.”

His secretary entered the room, this time wearing a bland brown coloured coat.

“Yes?”

“Ginnie, Get me Barrel on the line.”

“Barrel…?”

“Yes, Barrel. And make it snappy!”

“Right you are.”

Ginnie turned back. “Is this important?”

“You’re Goddamn right this is …” McClain paused. “Just get me through to Barrel and be off. I’ll handle this. Route my calls straight through.”

Their eyes met, some question in Ginnie’s.

“I’ve got this,” McClain repeated and ran four stubby fingers through his hair.

“It’s probably nothing,” he murmured, this time more lightly.

“Need to check something …”

McClain lifted the fork and made to start on his peaches but once Ginnie had left the room he focused on the paper and on what he’d seen; his hands were shaking.

Four paragraphs, the essence of which said:


American ‘pioneers’ fail again to reach the moon. The third attempt this year ends with a technical failure of the third stage power boosters. Simple bad luck or suspicions of corruption justified? Full report to follow …

A. T. McClain (NASA)


The words sat in a nondescript fashion between a financial article on the rising costs of inner-city real estate and an advert for bleaching detergent.

The intercom crackled and Ginnie announced “Mr. Barrel for you.”

“Okay, thanks. You be off now … just put the phone through.”

McClain picked up the phone whilst at the same time removing his spectacles.

“Barrel?”

“McClain.” The acknowledgement being firm and sharp.

“You seen the evening edition?” said McClain, with equal authority in his tone.

“Not yet,” came the answer. “Anything I should be concerned about?”

“You could say that.”

McClain placed the receiver back down, cutting off the call. He stood and walked over to the cabinet and poured another whiskey; once again seated, he began on the peaches.

The phone rang and he quickly lifted the receiver.

“McClain.”

“We may have a problem,” responded the caller.

“You’re goddamn right we do,” McClain mumbled, chewing and swallowing.

There was a pause.

“You’d like to like find out who did this?”

“Damn right, I do,” replied McClain.

“You serious?”

“Of course I am … why wouldn’t I be?”

Another pause.

“You mean a Code Red?”

“That’s your call, Barrel.”

“And you’re … look, McClain, I have to ask. You sure you didn’t …”

“What do you take me for?”

“Okay, okay,” came the reply. “You know a lot of people will be …”

“Asking, yeah, I know.” McClain coughed. “How much time do you think I have?”

There was silence as the magnitude of that question began to form.

“McClain, I’ll vouch for you.”

“Like that’ll do any good.”

“McClain …”

“Yeah.”

“The Code Red, I’ll put it through. But there’ll also be …”

“Sure … just trace that article!” McClain replaced the receiver, his eyes looking tired. Pushing the peaches to one side, he reached for the whiskey, then leaned back in his chair.

The fan in the ceiling whirled slowly and McClain paced restlessly around the office, but it was thirty minutes until the phone rang again and he slumped back into his chair

“Yes?”

“I understand you’d like some information.”

“Yes, yes, I … who is this?”

“Names are not important,” responded the rough voice. “My assistance was requested. You are Allen McClain. I hear you’d like to track down the source of a newspaper report …”

“Yes.” McClain stood, still holding the receiver. He picked up the phone and went over to the window and looked down on the busy street below … and a phone booth opposite the building with a hunched figure inside. Wide hat and long coat.

“I just need you to confirm.”

The figure turned around fully and looked up at the window, though there was no way he could have seen McClain looking back at him.

“What’s your brief?” McClain demanded.

“That an article has appeared in the newspaper on your desk, and you’d like to take care of the source.”

“In a manner of speaking.” McClain squinted trying to focus on the features of the man in the phone booth. “It was just …”

“We can find who wrote it.”

“You can?” McClain stammered. “Whoever it is, they need to be dealt with; Barrel understands.”

“That’s our business,” came the reply matter-of-factly and the man in the booth turned away, “You’ll hear from one of us shortly.”

“Right … right you are.” There was a flash of lightning that startled McClain. Three seconds later the distant sound of rumbling, then the pitter-patter of rain spitting hard at the window.

McClain watched the figure stride purposefully along to the next block, tightening his coat, one hand up to his hat.

When he had disappeared, McClain began to laugh – deep and from the belly; low, rumbling with a hint of mania.

All of a sudden, the phone rang again; arresting McClain for the second time in a minute; he snatched at the receiver, “Yes?”

“Allen …?”

McClain swayed unsteadily and collapsed into his chair.

“Allen, are you there?”

“Sure.”

“You all right?” It was a woman’s voice.

“Fine, Jenny. How are things?”

McClain, switching the receiver from right hand to left, reached into his breast pocket with his free hand. He pulled out a packet of Lucky Strikes, expertly managing to extract a cigarette and light it in one swift motion that also involved taking the zippo from his right waist pocket.

“Allen, you wouldn’t believe it.”

“Wouldn’t I?” McClain let out a puff of smoke.

“The day I’ve had. I don’t know where to start.”

“Sure …”

“First the car, then the neighbour’s dog; that godawful Rottweiler, what do they call that thing? Some ridiculous …”

“No idea.” McClain coughed.

“Pitcher, that’s it. If you ask me …”

“Ask you what?”

“… stupid name, that’s all.”

“Right.”

“Yes, okay, Allen, I’m sure you don’t want to hear about all my troubles.”

“No, no, go on,” McClain replied, drawing on his cigarette, eyes distant. “What did Pitcher do this time?”

“You think I’m calling you up to chat about the neighbour’s dog?”

McClain moved in his seat, flicking at the already full ashtray. “No idea,” he drawled.

“Allen?”

“Yep?”

“It’s Susie. She got into a fight again.”

“Again?”

“With a boy.”

“A boy, eh?”

“And you can stop smirking,” the voice said, guessing the expression on McClain’s face. “It’s the third time this year and they want … they’ve requested that we go there. Tomorrow.”

“Tomorrow.”

“The both of us.”

McClain shifted. “Can’t Tom …”

“No, Allen. It’s her father they want to see. Things are awkward enough already. For her. I’ve no wish to go parading …”

“No, quite. I understand.” McClain was looking at the paper, his right forefinger gently resting against his typed name. “What time?”

“Eight o’clock.”

“In the morning?”

“Yes, in the morning. You can’t get here for …”

“No, no, I’ll make it.”

The voice huffed. “You sure you’re alright?”

“Never better.”

“… Well, I’ll be off then. You want to speak to Susie?”

“Is she there?” McClain asked.

“I can get her …”

Behind, from the window, there was another flash of lightning.

“Is it raining there?”

“The yard’s flooded!”

“Tom with you?”

“Allen, you know he is.”

“Of course.” McClain huffed. “And you’re exaggerating, right?”

“Exaggerating?”

“About Susie … the fight?”

“Do you want to speak to her or not?”

“No, no. I’ll see her tomorrow. Eight o’clock, you say.”

“Allen, you sound tired.”

“I’m Fine, I told you.”

“You need to get home, Allen … your health … when was the last time you had a check-up?”

“On my way. See you in the morning, Jenny.”

McClain stood from the chair, then hesitated before putting the receiver down. He lifted it and listened, but the line was dead – he stared at the now dormant telephone, mouth open as if there had been more to say; something he’d forgotten; something that had slipped his mind.

Huffing, he went once more to the whiskey cabinet, fixed himself a new drink; this time with a hefty measure of soda.

“Roll with the punches,” he murmured. He smirked again, then turned at the window and looked out at the vacant telephone booth across the way.

The phone rang and he let it. Three, four rings.

Slowly, calmly, McClain approached the desk.

“McClain!”

“The information you requested … Allen Thomas McClain. Forty-seven. Divorced. Bachelor in physics, first class.”

A different voice; “Who is this?”

“Works at the Seers conglomerate. A cog. Though of course, that’s merely a cover. Information tells us that McClain is working for NASA, though we’re having some trouble in determining what exactly he does for them.”

“What do you want?” McClain spat. Sweat had begun to form on his brow. “Who are you? How did you get this number?” even though he knew full well.

“An associate … a colleague,” replied the voice – high pitched with the twang of an accent that McClain couldn’t quite place.

“What do you want?”

“You asked for information. These are the results of our investigation.”

“I asked Barrel … who is this?”

“That is not important … we have completed our research and come to the conclusion that the article was written by A. T. McClain, as stated.”

“Impossible,” said McClain, pulling at the telephone chord in agitation, “I am A. T. McClain!”

“That surely is ironic … Five foot eight?” the voice continued. “Jet black hair with specks of grey? Short back and sides? Dark-rimmed, tinted spectacles with thick lenses? Stocky in build? A preference for Italian suits? Resides at 421 Park Avenue, though owns a much larger property in Rhode Island? There’s a daughter, Susan who lives with her mother and a man, Tom who has yet to become …”

“Goddamnit, yes, that’s me you’re describing. So what of it? This is madness! Somebody has used my name, but it wasn’t me who wrote the article.”

“Just passing on the message,” the voice said. “We take it you will not be sanctioning the order!”

“Order on what?”

Nothing was said for a moment. McClain breathed heavily, two words spinning in his head Code Red.

The voice breathed, “It’s your call.”

“What do you mean my call? You think I’m gonna authorise my own …?”

McClain’s hands were shaking. His face deeply flushed red.

“We thought as much.”

“What kind of a two-bit outfit are you?!” McClain began to shout.

“I am merely passing on the information that you requested; don’t shoot the messenger!” the caller replied calmly.

“Or the client,” McClain jibed sarcastically.

There was a click and the line went dead. McClain punched at the desk, immediately regretting his action and flexed his right fist, inspecting his knuckles as the phone pulsed into life once again.

McClain grabbed at the receiver aggressively, knocking the base across the desk.

“Goddamnit, I’ll kill you!”

“Allen?”

“God …” McClain began to convulse. “Jenny, I didn’t …”

“Allen …” she stammered, “… are you okay?”

“Yes, fine, sorry,” McClain replied, trying to relax himself, somehow pushing his words into a calmer tone.”

“Who did you think I was?”

“Nobody. Just, nobody; what do you want, Jenny?”

“Nothing. Maybe I shouldn’t have …”

“Out with it.”

“Now there’s no need …”

“Damnit, Jenny?!”

The line went dead.

Stressed completely, McClain felt too angry to know what to do next. His dark shoes dug into the tartan carpet. Eisenhower smiled down.

Got to be some kind of joke … think God-damnit, think!

McClain hit at the button on the intercom, “Ginnie …” then remembered she was gone.

“Damned …”

Composing himself he straightened the phone, then stepped back.

Think man, think. There has to be something …What was it he said? … Bachelor of Physics – First Class? No mention of the Doctorate! Why not? … a hole in the research!

He was startled again as the phone suddenly rang out.

“McClain,” he answered.

“Mac, it’s me.”

“Barrel! Damnit, what the hell is going on?”

“You tell me, Mac.” Barrel’s reply was calm, yet firm.

McClain stood straighter, sweating and breathing heavily. He hesitated, stuttereded, and tried to think of a reply that would at least make some sense.

“Now you listen to me,” McClain answered. “I’ve no idea what’s going on here, but I’ll get to the bottom of it. You have my word.”

“It’s too late,” came the answer.

“What do you mean, too late?”

“Only a select few know why the Pioneer missions are being corrupted. If it were to get out …”

“But it won’t. Why would it? We have kept a lid on things all these years.”

“I’m sorry, McClain.”

“You’re sorry? Whaddya mean I’m sorry? Damnit, Barrel!”

“I’ll see that Ginnie and Susie are taken care of.”

“Barrel, I’m pleading with you here. Just give me some time. I can prove it wasn’t me. I’ve got no reason …” McClain clutched at the phone, “Barrel, why would I? What would I have to gain?”

“Gotta admit,” replied Barrel. “I was surprised. What was it? You get cold feet?”

“Barrel, I’m telling you.” McClain was desperate. “All that I know. All these years. I was there, at Roswell, oversaw the project … after all this time why would I sabotage everything? Answer me that! Why?”

“McClain … I can’t … it’s too late. Wheels are in motion; I just wanted to let you know,” the voice, ironically, seemed to have grown warmer, “No hard feelings and all that.”

McClain stood there staring at the wall, then it dawned on him …

He needed some time! Stall and give himself some time to think.

“It was an impostor, I tell you. A setup. One of them.” He shouted down the phone.

“One of?”

“Damned Pinkos. You know how it is.”

“I see. The Russians.”

“Yeah, the Russians; who do you think I meant? Damn it, they’re framing me.”

“The Commies?”

“Yeah, they’ve sucked you in with a hint at something that is just not happening and you’ve bought it … convicted me without a trial”

“A hint is all it takes. You know that as well as I do.”

McClain’s breaths began to speed up; adrenalin was flowing. Think man, think!

“Barrel! by God!” McClain appeared overcome with rage. “What do you want?!”

“Barrel?” but the line was dead.

There was silence.

McClain fell back into the chair; the phone, hanging off its hook, dangling beside him.

“Goddamn … setup. Think man, think!”

* * *

McClain straightened his desk and put the can-opener back in the top drawer but left it open.

He was thinking more rationally now, things were clicking into place.

His time at Area 51, the Roswell incident. The research. The astonishing advances in electronics and biochemistry. The whole new field of DNA study and genetic engineering. The cloning initiative!

Everything had to be controlled. A gradual release into contemporary culture. They had kept a lid on it. … but now? Something had happened. The cat was out of the bag.

Overlooking his Doctorate was sloppy. Somebody had messed up.

Now there was the Barrel problem.

There were two options; first, it wasn’t Barrel. He had known Jenny for over fifteen years, and he wouldn’t refer to her as Ginnie, not even by accident.

The second option was that he had sent a warning because he was being coerced to liaise with McClain under duress.

Either way, the Area 51 mission had been compromised and it had to be contained.

* * *

The door of McClain’s office opened and from the dimly lit outer office, the silhouette of a large man came into view. The man stood facing McClain, trilby dipping forward, raindrops dropping to the floor. Even in the semi-darkness, this man, in appearance, was not at all unlike McClain himself, but that was what he had been expecting.

“Allen. T. McClain, I presume,” McClain muttered, not focusing clearly on the figure framed by the doorway. He was tired and worn, his collar and tie loose now, his whole face and neck were blotched in red marks, but he was more alive than he had been in years. His glasses were still on the desk beside the filthy ashtray; the phone and typewriter were neatly squared beside the folders and pencils. The whiskey bottle stood next to the still unfinished can of peaches; unashamedly in full view.

“So here you are, then,” said McClain, swirling the fingers of his left hand in irony, his right arm resting on the open drawer.

“Better get on with it, then. Do what you came here to do.”

“Any last words, Mr. McClain?” said the man, stepping forward. In his right hand was a small black revolver with a silencer.

“Yeah,” McClain replied, looking up lazily. “Give my love to Ginnie and Susie.”

“I’ll take good care of them, rest assured.”

Their eyes met: McClain’s and the eyes of his assassin. Eerily, a pair of eyes he knew from the reflection in his own mirror.

“My God,” McClain stammered. “What … what the hell is this?”

But it was only for a fleeting moment that he didn’t understand.

Not only to be terminated with extreme prejudice, but to be replaced.

Taking care of his ex-wife and daughter now had an alternative meaning, and what of Ginnie. Was she to be taken care of as well?

He had to get to them first.

Code Red was a deterrent for those in a position such as his. Those with authority, knowledge and power … but now it was open to abuse … and flawed.

“Time to say good-night,” said the figure suddenly in the door-well.

“Good-night,” said McClain squeezing the trigger of the Mauser in his right hand.

A flash inside the office and Allen. T. McClain fell to the tartan carpet.

McClain picked up the red phone and waited for a click at the other end. Code Blue; Station Alpha-Five-Sierra was all he said before hanging up.

He looked down at his Nemesis on the floor … ugly looking bastard he muttered as he stepped over the corpse and hurried through the door.

Eisenhower looked on with his Mona Lisa smile.


(Alternative version by Alan Morton, writer of The Night Shift and Train Connections) 


Friday, 3 April 2020

Unfinished Story #5


After redundancy he’d turned to painting local scenes and there had always been a cow in the picture, always the same breed. Residents who knew their livestock remarked upon this, that the idyllic image drawn, with its glossy dark red coat and pure white horns looked more like the American Milking Devon – though originally derived from the British North Devon, they were not to be found in the area. However, these cows were somewhat handsomer, and any question over why the artist had chosen the breed over any other was put down to aesthetics by all but the Japanese businessman who one day offered the sum of fifty thousand pounds for the purchase of one of these paintings. During an unplanned visit to the south-west coast of England, the businessman had entered the local art gallery of Roswell (the English coastal town, with no connection at all to its American counterpart; with no hint whatsoever of a UFO sighting).
In 1997 this was a fair fortune and enough, almost, to set one up for life.
Champagne was popped. Our artist, you see, had had the wonderful idea of hiring out a room in the local art gallery for a month of the summer season and filling it with his own work which he’d priced to levels of extortion. He would only have to sell one painting …
Sat on the floor of the circular room, stared down at by twenty-two versions of the American Milking Devon – stuck in the corner of a pasture at night; beside an old barn; holding up a line of early nineteen-fifties sports cars on a gritty, country lane; the moon, stars, bright sunshine and cool dusk – he felt them from distance, always in the background, slowly chewing and always far away. In another picture the sports cars had been replaced by a group of schoolchildren. In another the same children were dancing round a maypole. A local fair, a farmyard scene, harvest and haystacks and always the cow looking on from far away.
In one picture alone the cow had been at the forefront, pushing its wet nose up to the artist. But this picture was no longer there for the Japanese businessman had taken it.
His mother, the artist’s mother, found him a week later at his flat. She’d heard of the sale, she knew about his pictures. In truth the artist owed her for a small loan he’d been promising to pay back but she hadn’t been there for a handout, no. She’d gone there to advise him.
Divorced and then redundant; living alone, the artist had turned to gambling, turned to drink; he’d been irresponsible, unable to cope with such a large amount of money.
She’d walked over to where he lay, unconscious on the sofa. Called an ambulance.
“My son …”
But it had been two days too late, and afterwards, almost as long as a year afterwards, she’d found herself flying out to Tokyo.
From the airport onwards she’d swum through a confusion of trains, taxis and rich new buildings; strange young fashions; through a plethora of foreign scents and the buzz of an alien race.
She had a card:
“Mr Suzuki,” repeated the doorman.
“He’s expecting me. We’ve been in contact. By telephone.”
The doorman spoke to her in English, though unaware of this (for his accent was strong) the artist’s mother nodded and smiled, nodded and waited until eventually a man came down; not much taller or younger than herself and they shook hands; the grey-haired old woman and the ageing businessman, welcoming, smiling and bowing. “Won’t you come up?” he said to her, and she understood perfectly for Mr. Suzuki’s English was much better than the doorman’s.
To the artist’s mother it was like a high class hotel but it was apartments and his on the fourteenth floor. As they entered he gave her slippers to wear and she thanked him, taking off her coat and counting four rooms in total, three closed doors. In the main living space there was a shallow dining table, calligraphy on the walls and a small television next to a strangely archaic stereo for long players – an extensive collection of the latter took up a whole wall from floor to ceiling in a fine set of cabinets.
“Tea?” the businessman asked. A record was playing which she recognised as jazz. Old jazz from the forties or fifties. Her son’s picture hung amongst the calligraphy.
“It stands out,” the artist’s mother told him. They were sat by the table. He had prepared a selection of snacks.
“It does,” he agreed.
“And why that one?”
“Ahhh …”
The businessman stood and went over to the picture, pointing to top right corner. “The cow is quite something, but the, up there …” He pointed to a splodge of light. “You know,” he said, turning around and back to her, “when I went to your country, it was quite by accident.”
The artist’s mother fiddled with her chopsticks. “Not something you’d planned.”
“Something … what is the word … a feeling …” The businessman sat down again opposite her, took up a piece of dried tofu while she sipped at her tea. “Once arriving, in London, I had the idea of driving out to the countryside. The city, it didn’t …” He smiled, thinking back. “I drive. I drive and I drive.. And then I see the sign for Roswell and, fate!” he remarked, eyes brightening. “You see, I was there.”
“At Roswell?”
“Yes, yes. But not your town. I mean I was there, in New Mexico. In 1947!”
“You mean when that alien landed?”
The businessman laughed. “Yes, yes, the alien.”
“So horrible,” the artist’s mother shuddered. “Why did you have to go and do that?”
“No, no. No alien. Not true.”
“Of course, of course,” she said. Then absently: “You know I saw it on the television. Alien autopsy, they called it. And it reminded me of that cow cut in two.”
“Your son’s …?”
“No, no,” she laughed. “The one by that artist, Damien something or other.”
“Ahh, Damien Hirst.”
“Was that his name?”
“Mother and Child Divided. The cow and calf in … formaldehyde. Very famous.”
“Yes …”
There was silence for a fair few minutes before he filled her cup, explaining: “I was part of a team. Long time ago now. Aircraft. Experimental, new models. That alien business. The UFO sighting. A misunderstanding. A story.” The businessman opened his arms wide.
“I see.”
“Long time ago.”
“And that’s how you made your money? The aircraft?”
“Ha, ha. In a way, yes.” He sat chewing, saying no more while awkwardly the artist’s mother picked up a fresh piece of okra.
“Your home here is very nice.”
The businessman smiled again. “In Tokyo, the apartments are small. Not like the houses in your country.”
“No, no. It’s lovely. You’ve done well.”
He thanked her humbly, made a short bow, then caught the artist’s mother looking again at her son’s picture.
“He died, you know.” She was clutching at her tea cup. “He’d been celebrating.”
“Celebrating …”
The artist’s mother had closed her eyes and in her mind she was moving over to the picture; smashing at the glass – she was throwing her hot tea against the bare, naked canvas.
“I’m sorry,” she said, opening her eyes to the worried expression before her. She made as if to stand, then sat back down, defeated.

Saturday, 2 March 2019

Miners - deleted scenes


_ _ _ _


You’re on Earth, looking at a dark pink poppy, cupping it in your rather tired, leathery hand; in a park alone, surrounded by scrappers and the hum of distant automotives. You fly upwards to the busy skies. Further and further you rise. Beneath you is nothing. White and blue.

Continuing to soar, out through the atmosphere, your home planet is soon but a dot in the background.

A spaceship lies ahead. A turd shaped heap of junk housing a thousand TG mining robots. They sleep in their cells – inactive, powerless. Only two ordinators aboard, yourself and your partner, in a cell slightly bigger, two beds, two cupboards and a shared toilet cube.


_ _ _ _


“Mate …”

“Pretty good, huh?” you say with a puff of white breath.

“Incredible,” he sighs.

“And how many …?”

“Eight.”

“Eight dead.”

“Thirty injured. But yeah,” he huffs, getting to his feet. Could’ve been a lot worse.”

The first accident had been the worst.

“Toughens you up,” they told you.

The sacrifice those miners had made. It sickens you to think of it.

But you’d been happy on that day. On that day you’d been a success.


_ _ _ _


A Melody, a pretty name and just as you’d expect she’d been young and beautiful (or do you just remember her that way?). Her first day on the job and she’d died in a cave-in that could have been prevented with a little more funding.

Chocolate, a buddy of Manny’s for almost a month. You’d been jealous in a weird sort of way. But when his suit had malfunctioned, when you’d witnessed the freezing and crumbling of his face … you’d told Manny that he’d died quickly and peacefully. The expression of horror in his eyes staring up at you, it was something you’d always been able to, had to shake off.

Vandermeer, Miller, Tessa, Nathan, Eli … somewhere in your subconscious you carry stories of these people too. And explosion on Demos. A gas leak on The Good Companion.

Captain Worrit. Did he die or just leave? He’s there in your memories. That’s right. He’d been the one before you. Manny’s original partner. His mentor.

“Whatever happened to Captain Worrit?” you feel like asking Manny. And you will, you will ask him.


_ _ _ _


The bomb that went off killed thirty of your colleagues. That had been the second time, also on the moon. You’d tried to blame the authorities, back in the bar at moon base alpha, you’d all had plenty to say and most of it had been directed at them. Some of it at the inevitable danger that these jobs took – even Manny hadn’t blamed you. But you’d been tired, it was a careless mistake. A minute too soon and it had blown away those just a hair’s breath from safety.




Sunday, 3 February 2019

Unfinished Story #4 part 2


There’s three of them and the perfect opportunity already. I take up my seat, order a pitcher of wet.

“Captain Flycatcher,” I state. “Here to welcome you all.”

“To what?” one of them hogs.

“To the legend,” I answer.

They’re Grinthems. Planet Grintha natives. Green-skinned with large ears and bulging eyes. Their fists have claws which can extend to become deadly – though in modern Grinthem culture it is something of a faux pas to use these claws in battle. It shows weakness, an unfair advantage.

The fattest of the three gets down from his stall. He’s short but stocky. They all are and I’m disappointed.

“To the legend,” I slur, raising my glass at them. I swivel, challenging them to meet my toast. “You’re lucky it’s my day off,” I say. “Or it could be an early night for you all.”

The fat one who’s standing, he squares up to me, butting his shoulder against my side. Part of my drink spills on my lap and I have an idea.

“An early night, you say?” he’s sneering.

“To your good self,” I reply, feigning drunkenness. I raise the drink at his ugly face, knocking it against his flat nose and the contents spill down his front.

His two friends stand.

“Well look what you’ve done now, Mr …”

“Captain,” I correct, swinging about on my stall. “Captain Flycatcher.”

“You seem very sure of yourself, Captain Flycatcher,” says another of them, emphasising the ‘captain’ part with a sarcastic twang. “Seems to me you’d be better off offering my friend here an apology.”

“Don’t be ridiculous,” I slur. “It is you three who should be thanking I.”

I let that one hang until one of them finally answers. Here in the bar the only sound is now from their grunts.

“Thanking us?” one of them relents.

“For not taking you out where you stand,” I reply. “I am, after all, trained in sixty-eight forms of martial art.”

“Sixty …”

“Unlike the three of you,” I continue. “I hear on Grintha it’s all hugs and growling. That is, when you’re not using your claws. Rather dull if you ask me. Neanderthal,” I laugh.

“Neander –

“Backward, my good sir. Simple. You wouldn’t stand a chance.”

“He’s mocking us,” says one of them.

“You want to try me?” says the fatter one. He moves forward to grab me by the scruff of my suit.

Lifting me, he proceeds in hurling my body across the bar where I land with a crash against a stack of bottles that clatter with me to the floor.

“Well,” I say, now standing from the mess. “Looks to me like you fellows need to be taught a lesson in manners.”

I apologise to the barman who is very much now next to me.

“We don’t want any trouble here,” he’s saying. “This establishment is a peaceful one.”

He’s roughly dressed and of geriatric age. I pat him on the shoulder, brush myself down and smile.

“No need to worry,” I say. “Got it all under control.”

“I’d say he has,” says one of the Grinthems, and they each begin to laugh.

“Take the damages out of their credit,” I grin, patting the barman on the back. Then I launch myself up and over the bar again, lunging at the nearest Grinthem with a flat palm swipe.

He falls to the floor, dumbstruck.

“I’d say you asked for that,” I scold, then smile towards the remaining two.

They look down at their companion. He’s not out, not yet. Instead, slowly, he’s getting to his feet awkwardly.

“Back for more?” I say, putting out my fists. I move two steps forward, then back. Then the three of them are suddenly running at me.

I kick at the one on the left; the fastest and lightest and he’s spun and over a table. In the same move, with my left fist I’ve done a ‘duck and under’ at the next. He’s stopped in his tracks and looks perplexed at where I got the strength from.

While dodging the third Grinthem’s run, I spin and hit him again, watch him slowly fall to the floor.

“You Quelga!” the third one says.

“Now, now, no need for that kind of language.”

This Grinthem whose run I avoided is the one who I hit first. Standing before me, he’s snorting heavily, full of spite. “I’ll kill you …”

“Now, now …”

But his claws are now unleashed.

“I’ll murder you …”

“Now hold on,” I try. “Wait a second here …”

“What d’ya say?” he asks the others who have each now risen to their feet once more. “Last night on the station? What difference would one more kill make?”

“Now wait here a minute. I was only … only playing here.”

But all three of them now have their claws out.

“You’ve no idea who we are, do you?” says tallest and thinnest of the three. Their eyes are filled with venom. On their belts I take in the clubs.

Grintha, Grintha, I think. Those clubs, they mean something.

“Afraid I don’t,” I relent, which by the look of their expressions could well have been the wrong answer.

On their right breasts are the crests of the Grinthem monarchy. A slug-like creature split into two over a red moon.

“I’m … how about a round of drinks here?” I say to the barman who’s standing there watching us. Whatever it is I’ve missed here, it’s hard to guess whether he knows, but he knows I’ve missed something. Hell, they all do.

I look around the rest of the bar. Count twenty pairs of eyes, watching us sullenly. Three humans, two together and one by herself at the back. The two are young men like me. Officers. They’ll be of no help.

“Would Captain Flycatcher prefer to be slashed or ripped?”

There’s four Capulka, and with their tentacles I’m sure they could hold off these Grinthem for long enough for me to get away.

“Hey, guys,” I try. “A little help here?”

The three Grintha begin to snort and bellow in laughter.

“Seems Captain Flycatcher has a lot of friends today …”

Two Falunas covering in the corner. A couple of droids and then the woman again. She’s coming this way. She’s holding …

“Problem?” she asks. In her left hand is a large motor-shooter.

The three Grinthems turn.

“Well look what we have here?” one of them sneers.

“I’d say we have three dead spies,” says the woman. “You want to keep up the act with him, then fine. But my ex-husband was a Grinthem, and I must say, I’m insulted.” She points the end of the motor-shooter at their claws. “A royal guard would never need to be reduced to such barbarianism. You even know how to use those sticks?”

“So maybe we kill you too,” says the fatter Grinthem to her. “You accuse us of not being who we are. If you were married to a Grinthem, you should know,” he coughs, “that such an insult cannot go dismissed.”

“You calling me a liar?” she spits.

Each of them is now taking out their club.

Royal guard, I’m thinking. But I’ve got nothing – this woman’s knowledge of Grinthemian culture is obviously far greater than mine.

They’re advancing at her and she’ll either shoot them dead or suffer that consequence herself.

“Now wait a second here,” I try. “No need for any more trouble.” I offer my apologies, doing a little bow. “Should have recognised three Grinthems of status when I saw them …”

The Grinthems stop: three ugly heads turn back at me. The word ‘status’ is rather generic; though I know they must have some kind of position, even if only Hades knows what it is.

“Need your girlfriend here for rescue?” asks the shorter one.

“Yes, yes I do,” I relent. I’m a good actor, always have been. It’s got me out of a lot of scrapes. Knowing when to quit, knowing when not to.

“It’s fine,” I say to the girl. She’s pretty but I’ve hardly had time to acknowledge that yet. “My friends and I, we were just playing,” I tell her. It’s a risk but better than getting anyone killed. I stumble over to the three Grinthems, arms out and full of warmth. “My friends,” I slur, then pull them into a rather clumsy embrace. For the bystanders watching, it must be the strangest sight they’ve ever seen.

Think of it in slow-motion. Three ugly expressions of confusion, then disgust. They rip away, then push at me and I let them. Then they’ve lifted me up and thrown me at the bar again.

Once more I fly, at the stack of bottles the barman has just reassembled. Again I crash to the floor.

Though this time I’m playing a different character.

“My sincerest apologies to you all,” I sing with the same piteous performance of a bow. “And a round of drinks for everyone.”

I gesture to the crowd, my audience of yellow studs.


Friday, 7 December 2018

Unfinished Story #4 part 1


I don the red suit ’cause that’s the way it is.

I’m looking for a fight, to freshen up, to kick ass to the three months of nothing – mining negrolite for credits on that godforsaken planet and here I am on Station Electra, no plans for what’s next.

I stare at the mirror, tighten the suit. It’s beautiful, pathetic. Wonderfully idiotic.

“Captain Flycatcher,” I mumble.

Pulling on the dark red boots, I smile at my reflection.

A young face, thirty years of age; stubble and flushed cheeks.

I stand and the fake leather squeaks with my joints. My lanky figure accentuates the haplessness. A blonde fringe waving to his left and my right; blue eyes, the perfect victim.

“Captain Flycatcher,” I repeat.

And I stride to the door.

– Whoosh, it sounds, shunting upwards.

Stepping out into the corridor, I make my way to the bar while the videoscreens scream at me. This room, that room. Injections for pleasure. Rides to Gzynthem. Casinos that value the customer and opportunities in a life of trade.

Turning left along a series of flashing oblongs, I measure my pace, ignoring it all.


Saturday, 7 October 2017

Jimmy's Room - part 3


Dawned on me tonight how I’ve never seen Jimmy outside his room. Remember wondering for a while – and still now – if he’s got some sort of problem. Like agoraphobia or whatever. After seeing him again just now, I’m more certain than ever.

Was a good night at the start, listening to tunes and playing Tomb Raider. This time it was mostly Jimmy, I and Led Zeppelin, an old band Dad used to like when he was younger. There was this funny moment when we imagined if aliens were observing the planet to study human behaviour and they’d homed in on us. The two of us sat there, listening to seventies metal and generally chilling out. How the aliens’d be deciding that of all the people on campus, we were the ones who knew what the score was. Who were using their time in the best way possible. (Doesn’t sound as funny as I write it now but at that moment we were finding this scenario hilarious.)

Then, just as the night was ending, the worst thing happened in that Jimmy said he was leaving university. The situation is, he hasn’t been to a single lecture since getting here (he’s supposed to be studying political science).

When I asked “Why not?” he simply replied that he hadn’t felt like it; like his heart hadn’t been in it. His course I mean. At least I think so. But anyway he got a letter last week kicking him out.

Jimmy didn’t seem particularly bothered when telling me. Said it was fate and probably a sign he was meant to be doing something else. Said he’d miss halls and the friends he’s made, but that he’ll still visit from time to time.

Bit strange to say I’d miss him, but finally said I was sorry to see him go, which sounded better I guess. Dawned on me again how I’ve never seen him anywhere but his room – a few times we’ve been out as a group, Graz, Jung, Adam and even Sean, but though Jimmy always says he’s gonna join us on such occasions, he never does.

Playing Tomb Raider with a random selection of people dropping in and out to say hello. Next term there’s gonna be none of that. A few weeks from now and it’ll be a blurred, “See ya later,” sort of farewell that won’t properly sink in until the option of going up there is no longer around.

Ahh, Jimmy’s room … I’ll miss it for sure. But at least now I’ll be forced to kill the addiction.

Reckon I’ll make cornflakes with hot milk before going to bed. For some reason I’ve got a real craving for cornflakes.